Anything You Can Do…(Part II)

Warning: this post contains possible spoilers for The Last Death of Tev Chrisini.  If you haven’t made it past Chapter Eight, please proceed with caution.

I wanted to write this post about evil women, but to be honest, I’m not sure what to focus on.  The insecure high school Queen Bee doesn’t really interest me – most of the time they only exist as poorly drawn plot-pushers for the sweet and innocent heroine – and the Old Hag is a sociological/anthropological/historical study about the envy of youth, beauty, and fertility that I don’t have time to get into, and probably wrote a paper about in college anyway.  The Evil Queen?  Now there’s something, but she does overlap with the Old Hag in a way (think Snow White, Sleeping Beauty, or even The Little Mermaid, where youth and beauty tropes abound).

No, my favorite evil women are the ones with motivations that escape the traditionally female sphere of womb envy, which is pretty much the sum of things when you get down to it.  Give me strong, smart, ambitious women who take the leap into the typically male-dominated realm of desires.  Power.  Revenge.  Dominance.  Even lust, in appropriate doses.

I am, of course, using the terms “male” and “female” in the sense of broadly determined, traditionally assigned gender roles and attributes, because the pre-industrial, pre-women’s lib worlds I work with, that’s just the name of the game.  Please be aware that I am quite well informed on gender issues in general, and do not necessarily support the dichotomy that I’m discussing as a model for the real world.  [This public service announcement brought to you by the Alumna Association of Mount Holyoke College  – or would be, if I could afford to give them any money]

But it’s difficult to write a woman like that who is believable, and free of really obvious cliches, who is complex enough to stand as anything but the token obstacle for the hero/heroine.  It’s not something I’ve spent too much time addressing in my work, where my antagonists are typically Evil Men, and good women struggle alongside good men in trying to defeat them.  The notable exception is Vaorra, but even though she is an evil women, she has no real will of her own.  She obeys her master, an Evil Man, and inflicts damage on his behalf.  Her foil is Sanemki, another woman of strength and skill, but also of intelligent discernment and self-control, who is the agent of the Chithura, a Good Woman.  Order vs. chaos.  Guess which one wins?

But in the end, they’re both servants, doing as they’re told to further someone else’s goals.  So I wanted to write an Evil Woman who didn’t obey anyone.  One who has no master and is her own mistress.  How do you do that without falling into the Evil Queen trap?  Well, why not make a goddess?  Uh oh, another cliche.  I also just dislike the word “goddess”, with all its floofy, new age, Pagan/Wiccan, and sexual connotations.  It’s a silly word.  Female deity?  Let’s go with that.

In SZ-K, I have to create an origin story for the Moreivi.  It wasn’t really that easy, and I’m not sure I’m entirely happy with it yet.  In a rather ordinary world, that doesn’t use magic in its day-to-day, where does a tribe of immortals come from?  “Over the ocean” is a little too Tolkien, and since I’m not planning to write my own version of the Silmarillion, it’s a bit of a cop-out.  It works all right in Memory, Sorrow, and Thorn, but it wasn’t jiving with me, even though I do have a big ocean that doesn’t get much positive press.  But “Other” people have to come from somewhere Other, after all.

I settled on “from the mountains”, which will all make sense eventually.  It’s where the Risdena ended up hiding, because their leader was searching for the Moreivi’s secrets when he decided to retreat there.  But where did they get their immortality?  Here’s an excerpt from the explanation:

It was the Stone Daughter who had forced them to leave Yhen Lidra [the Moreivi’s home city]: Naddorei, a deeply ancient, terribly malevolent spirit, who dwelt in the hidden roots of the mountains.  The story told that she was the mother of their people; that her husband Ayakkult, the sun god, had given the first Moreivi into her womb in order to tame her wicked ways and teach her love, but she chose to shun her offspring, and threatened to destroy them.  Ayakkult locked her away for her disobedience, and took the Moreivi under his care instead, teaching them right from wrong and doing his best to suppress the seed of darkness that had been planted in each of them by virtue of their birth.

The Stone Daughter is evil because she is the antithesis of Ayakkult, the protecting sun god – she’s Satan, if you will.  There’s no male or female motivation for it: it’s just her nature.  I wasn’t sure how that fits into my view of evil women, but I think I like it.  She’s not jealous, shrewish, or petty, like the Queen Bee; she isn’t envious of anything, like the Old Hag or Evil Queen.  She doesn’t want power, she isn’t ambitious, and although she does want revenge against the husband who locked her away for thousands of years because of her misdeeds, that’s not her primary goal.  She is chaos, and I like that chaos is a “she”.

Do I necessarily like that the good guy is a Good Man?  I don’t know.  A male main deity is like, so last century, after all.  But it does make sense within the structure of the universe, and I think it’s all right.  He’s not really as important as she’s going to be.  He’s not uniformly benevolent, either.  The Moreivi are driven out of their home turf of Yhen Lidra when the war between Ayakkult and the Stone Daughter makes them take sides, and they end up going to war with each other.  Losing their home is their punishment for being stupid, and giving into evil.  Ayakkult ends up purging them and taking away whatever claim they had on divinity, leaving them to wander the mortal world, knowing they had lost the right of heaven.  It’s kind of sad, really.  But I better wrap this up if I want to have any hope of anyone reading to the end.

So anyway.  There’s a couple of thoughts on evil women.  I’m not really trying to argue for any particular point – I just think it’s an interesting topic to muse upon for a while.  The next Anything You Can Do will probably be about my kick ass women (more on Sanemki, and introducing Anshema and Eisa from SZ-K, and Zayhri from The Paper Flower), and how tricky is it to balance the high society ladies and the warrior chicks without the social order seeming completely stupid.

Do you like to read about evil women?  Loathe them?  How do you make them work in your own worlds?


2 thoughts on “Anything You Can Do…(Part II)

  1. While I completely encourage everyone to be aware of the broader contexts and schema surrounding what they write, I don’t think they need to be an obstacle to characters being who they are and doing what they do. So long as we can sort out what’s driving their existence and whether we want to be a part of perpetuating it in text, I figure it’s (usually) all good.

    All that to say, I think you made perfect sense, and I’m quite fine with female characters who are antagonists! Evil, even! And given that I think just about every social order is differing degrees of completely stupid, anything that’s internally consistent and appropriate for its setting is fair dinkum.

  2. Think of Gender as like “I’m a MAC and I’m a PC”, a mere physical difference…when what really matters is the Operating System and software ( the Soul of the Machine and the software abilities ) that run on the available hardware platform.

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